![]() ![]() He liked pigment prints and signed many of them for me, an indication of his approval. In the last ten years of his life I did many digital pigment prints for him. He either printed black & white prints himself or had a commercial lab do them. When I had a darkroom, I did some traditional silver prints for him but not many. Saul would sometimes give me things to print in black & white and color. ![]() ![]() ![]() When some new camera came along, especially if it was smaller and lighter, he would often purchase one and experiment with it. He was very fond of cameras - one could say, excessively fond of cameras. In the street, he used a series of cameras: Canon A1, Leica CL, Minox EL, Olympus XA, and later, numerous digital SLR and pocket cameras. When he did his commercial work, he generally preferred to use a Leica M4, occasionally a Rollie 6圆. When I worked with him I learned to always check for the camera in our travels about New York. Sometimes in exasperation, perhaps from distraction, he would accidentally leave them in a restaurant or cab. He constantly carried a camera when I knew him. His published works provide ample evidence of his immense talent. Saul's photography hardly needs any introduction. ![]()
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